Thursday, January 22, 2026

If You Think This Is A Happy Ending

 

If You Think This Is A Happy Ending

 by Ryan N. Wolf

 


 

“If you’re just joining us, a stunning development from downtown—a would-be workplace shooter is thwarted by a local hero. WRNW’s Stacy Burkholder has more at the scene.”

 

“Thank you, Ken. I’m standing here outside the Trade Building on Lincoln Avenue where Terence Davis entered Markowitz, Markowitz & Zytnick approximately one hour ago. Davis, a former attorney with the prestigious law firm, brought an assault rifle and a homemade explosive device. But because of a man employees are calling an angel, no deaths or injuries took place.”

 

“I really thought that was it for me. I swear, when Terry pulled out that rifle, I saw my life flash before my eyes. I just prayed that God would give me one more chance to hug my husband, children, and grandchildren. And then He sent me my guardian angel.”

—Elaine Robinsky, receptionist

 

 

“That’s enough fucking hoagies to feed an African village.”

“Man, why you gotta talk about Africa like that.”

I roll my eyes. “Why you gotta take everything about Africa so personally. You’re from Willowbrook, not Zimbabwe.”

“Fuck you,” my coworker shoots back, wrapping up the last of the Italians. “Every time you got some smartass shit to say, it’s always about Africa. Imma call HR on your pasty ass.”

Kim’s not really going to call HR, but that’s the game we play.

“Fine. Allow me to restate. That’s enough fucking hoagies to feed an Armenian village.”

“Where the fuck is Armenian?” she asks.

“Forget it,” I say. “It’s a lot of hoagies. Like, a stupid amount of hoagies. That’s all I’m trying to say.”

“Is the catering ready yet?” That’s John rolling into the kitchen as we are finishing up, too late to help in any substantive way.

“It’s ready,” I say.

“Are you sure?”

I roll my eyes at Kim. “Yes. Twenty chicken bacon ranches, twenty cheesesteaks, twenty veggie speicals, twenty buffalo chickens, and twenty Italians.”

“Silverware? Napkins? Plates?”

“Yes, yes, and yes.”

“You double-checked everything.”

“I triple-checked everything. It’s a lot of hoagies, John.”

“Yeah, enough to feed an African village,” Kim says. I unceremoniously give her the finger.

“You aren’t complaining, are you, Luke?” John asks.

“You know I’d never complain. About anything. Ever.”

“Good. Because you’re delivering these.”

“The fuck I am,” I scoff.

“Billy’s late. And I need these delivered within the next ten minutes.”

“Sounds like a general manager problem.”

“And now I’m making it your problem. Perks of the job. It’s a fancy law firm, so they’ll probably tip you.”

I roll my eyes. “Fine. Where’s the cart?”

“Broke yesterday.”

“So you’re telling me I have to lug these four big ass bags across town without the cart.”

“You’ll be fine.”

“Fuckin’ bullshit,” I say under my breath.

“What was that?” John asks.

“I said, I’m really looking forward to doing this.”

“I’m gonna make you employee of the month.”

“You don’t do employee of the month.” I pick up the bags—they are large and heavy, awkward to hold standing still, to say nothing of having to carry them all the way to—

“John. Where am I going?”

“Oh yeah, I guess I should tell you that, huh?”

“It would be helpful.”

He picks up the catering slip at the end of the line. “The Trade Building. Markovitz, Markovitz & Zytnick. Fifth floor. Go right there and come right back.”

“It’s downtown. Where else am I going to go?”

 

 

“I seen him do it. I swear, he didn’t even hesitate—he just, pow, went after the guy. Ballsy as hell. Sorry—can I say ‘ballsy’ on the news? Anyways, I seen this guy’s eyes, and there was no fear at all, I swear. He just did the thing. Did what needed to be done. This day and age, you don’t see that too much.”

—Edgar Lyman, custodian

 

 

As predicted, these bags are a delightful combination of both heavy and awkward that makes me want to take a few short steps to my left, placing me in the middle of the busy city street where a port authority bus will do me the personal favor of putting me out of my misery. I know what you’re thinking—ha ha, that’s funny, you’re so sarcastic and edgy. Well, guess what, toots. I’m not trying to be funny or sarcastic or edgy—I’m being 1000% serious. I would love nothing more than to walk out into a busy intersection and be done.

But I haven’t.

Probably won’t.

Everybody is wearing a suit and tie—and nobody wears suits and ties anymore. This is the fancy-shmancy part of downtown, where the lawyers and financial advisors and corporate executives work. Go back twenty years and I was in the same high school classes as most of these people, went to the same colleges, had the same GPAs, the same hopes and dreams. And here we are, in the very same place—except they are wearing five-thousand dollar suits, and I am wearing sweatpants, a black undershirt, and an apron stained with mayonnaise and Italian dressing.

I’m sure that everyone who knew me way back when wonders “What happened?” when my name gets brought up, like there was one particular event in my life that made the whole thing go awry. But I don’t think that’s how things went down for me. Like, I don’t think it was one event. I don’t think there was this singular, dramatic moment when the lights dim and the music modulates to a minor key and the actors speak in hushed tones. I think it was more like a really boring book that you don’t want to read but you have to, for some reason, and then when you get close to the end you realize that what you’ve been reading is completely and utterly fucked up but you can’t stop now because you’re pot-committed and you might as well see it through to the end.

If you ask me, Jack Kevorkian didn’t go far enough with the whole assisted suicide thing. He had all these rules in place about only accepting people if they were terminally ill, like in the anatomical sense. He wouldn’t take people if they were only depressed. Why not? Who was he to decide? Depressed people kill themselves all the time, leaving behind a physical mess in addition to the emotional trauma for their loved ones to deal with. They’re going to do it anyway, why not afford them and their families the same dignity as someone with Lou Gherig’s or late-stage cancer?

I won’t do it myself. Why? If I’m lying, I’ll tell you it’s because I don’t want the few people I have in my life to grieve, to deal with the messes I’ll leave behind.

But if I’m telling the truth, it’s because I’m a coward.

These people all have something I don’t have. Here’s me, carrying a stupid amount of hoagies because for reasons I cannot articulate, that’s all I have to offer society: putting meats and cheeses and dressings in between two pieces of bread for sixteen dollars an hour. These other people have figured out something that has eluded me to this point: how to exist in society. They have figured out how to choose a job, how to get training for said job, get training for said job, then get the job, do the job every day—day after day after fucking day—for thirty to forty years, then retire, then die. And if you said to one of them, “Hey, good on you for figuring this out,” they’d look at you like you were crazy because to them it was easy. It’s what they were born to do. An exquisite combination of their genetics and upbringing has gifted them the ability to thrive by doing nothing more than simply being themselves.

“Be yourself,” people say. It’s great advice if you’re a part of the aforementioned, but not so great if you’re me. I’m not a bad guy. I’m not a great guy, either, but I’m not a bad person. This is me—for almost forty years, I’ve been myself and it just hasn’t worked out yet. I don’t think I’m lazy, but some days I can’t motivate myself to care. I can’t stop thinking about the math: billions of people times billions of years equals why does anything I have ever done or will ever do matter. At all.

These people have figured out a way to trick themselves into believing that what they are doing—advising a client on their financial portfolio, suing a doctor for medical malpractice, rebranding a century-old company—matters. But I can’t ignore the truth, which is that it doesn’t. We are a society of go-getters racing each other towards oblivion—in five billion years the sun will run out of hydrogen and grow to such a massive size that all of this will be eviscerated into constituent atoms, completely eliminating any evidence that we were ever here. You and everyone you know will be nothing more than protons, electrons, and neutrons meandering aimlessly through space…although if you ask me, that’s all we’ve ever been.

Anyways, the Trade Building. The largest building in the city, tallest between Chicago and New York City. When I was in sixth grade we took a field trip here, went to the very top and took in the view: x number of counties and y number of states on a clear day. That was exciting. I don’t remember anything else we did, but seeing the world from that perspective was like seeing something from a movie.

How is it possible to be in the same place two different times and feel two completely different ways?

“Hello, can I help you?” The overweight security guard takes a break from reading In Touch to discern my intentions.

“Yeah, I’m here to drop off some hoagies at Markowitz, Markowitz & Zytnick.”

“Ah, yes, the hoagie guy.”

The hoagie guy.

“They’re expecting you, Mr. Hoagie Guy. I’ll send you up. Fifth floor.”

Thanks, Mr. I Wanted To Be A Cop But The People Who Tell People They Can’t Be Cops Told Me I Couldn’t Be A Cop Guy.

Perhaps the elevator cables will snap. Crazier things have happened.

 

 

“I am confident that I can speak for everyone here when I say we owe a debt to this man that we cannot repay. If not for him, how many of our families would be receiving that dreaded phone call right now? I cannot fathom it. All I can say is for the rest of my life, I will get down on my knees and thank God that he sent us our hero. Amen.”

—Alexander J. Markowitz IV

 

 

 

Ding, goes the elevator, and I am suddenly transported to a completely different planet—Markowitz, Markowitz & Zytnick is one of those places that has clearly spent the GDP of a small island nation on interior design. The lighting, furniture, and color scheme are all evidence of some Los Angeles-based firm that specializes in catering to the important needs of high-end law firms like this. I want to throw these hoagies on their Nero Marquina marble floor and leave.

There is a narrow corridor that leads into the open, high-ceilinged reception area; but before I can get that far, I am drawn by something from my peripheral vision. To my left, there is a portrait of a man dressed in turn-of-the-century garb: a faded black suit, flat bow tie, top hat, the whole gamut. The portrait is at least eight feet high, maybe three and a half feet across. As far as opulence goes, it matches the rest of the interior, but what I can’t get past is that the dapper gentlemen depicted looks exactly like me.

It's like one of those time travel movies where the guy sees himself in an impossibly-taken image from generations past. The nameplate at the bottom reads: Alexander Jacob Markowitz. A myriad of insane thoughts race through my mind. Am I Alexander Jacob Markowitz? Or, at least, related to him. An heir, perhaps? This might explain why my life is such chaos, because this is where I am supposed to be. I’m not Mr. Hoagie Guy. Some bizarre situation worthy of a Lifetime movie has occurred, separating me from my people. But I’m here now, and I’ve arrived to take my rightful place—

Fast and heavy footsteps sound from behind me, a distinctly articulated metallic sound that bears resemblance to the reloading sound effect of the KF7 Soviet on GoldenEye for Nintendo 64.

“The history of saints is mainly the history of insane people! The truth is men are tired of liberty. Inactivity is death. The Liberal State is a mask behind which there is no face; it is a scaffolding behind which there is no building!”

Clearly, something is amiss. Turning from my Teddy Roosevelt-era doppelgänger, I peer into the main reception area where I see an in-shape man wearing black military gear and wielding what, to my inexperienced eyes, appears to be an assault rifle, shouting far-left and/or far-right extremist manifesto-sounding statements at the poor woman sitting at the receptionist desk and the fleet of lawyers behind her.

Well, it’s finally happened. After spending the entirety of my life watching this shit on television, I’m finally in the thick of it. My initial feeling is frustration—it seems as though because of this country’s fetishization of guns, I’ve lugged this stupid amount of hoagies all the way down Lincoln Avenue for fucking nothing.

The man continues shouting nonsense, and at some point while he is comparing war to maternity, the receptionist makes eye contact with me. A custodian over to my left does the same. They say nothing and makes no obvious gestures, but their eyes scream volumes. This guy has his back to me. He has no idea I’m here. He didn’t notice me ogling Alexander Jacob Markowitz like a Penthouse spread.

What must happen next becomes so obvious.

I set the hoagies down, and the release of weight gives me a strength I’ve never felt before, like a Kryptonian basking in the rays of Earth’s adolescent sun. I do not hesitate, I have no fear, because I’ve dreamed of a moment like this. Electricity coursing through my cardiovascular system, a noose pulled taut around my neck, a bullet tearing its way through my flesh, a fistful of pills shutting it all down organ by organ.

The Terminator couldn’t self-terminate, and neither can I. I’m far too cowardly to do it myself.

But perhaps this fascist wannabe will do it for me.

I’m upon him now, so close to him that I can smell his panic sweat. I’m ready. I’m so ready. I’m so close to being free of all this I could cry. I can see the stock of his rifle—the instrument of my salvation, inches away.

“It is humiliating to remain with our hands folded while others write history. It matters little who wins. To make a people great it is necessary to send them to battle even if you have to kick them in the pants. That is what I shall do.”

I grab him around the neck with both arms and pull backwards, surprised at how easily he goes down. From far away, he seemed like the type who hits up the gym on the regular. I land on top of him—he is nothing more than a skinny middle-aged weakling. His facial hair is overgrown, his light-brown hair wild and frayed, but beneath the rough, there is nothing frightening about this man.

Our eyes lock. He is bewildered, perplexed, enraged. He’s been dreaming about this, perhaps gratified himself to this exact moment, and I’ve ruined it. His open hands find the base of my chest and he pushes—I don’t resist and fall on my knees two feet from him. He lifts the rifle, points it right at my face, and I swear I can feel my pupils dilate from the explosion of endorphins that are now racing through my veins. He wants to shoot me so badly, but not as badly as I want him to shoot me.

This is it. Seconds left. I don’t know what is next, but whatever it is, I’m ready for it.

He pulls the trigger.

Click.

Nothing.

 

 

“At approximately 11:57 a.m., a former employee of Markovitz, Markovitz & Zytnick entered the main office with the intentions of committing a workplace shooting. A visitor to the firm, Luke Connors, surprised this man and subdued him, at which point it was realized that the shooter’s assault-style rifle had jammed. Employees of the law firm were then able to detain the shooter until law enforcement arrived.”

—Commissioner Albert Windows, Metropolitan Police

 

 

I’m sitting in the back of an ambulance on Lincon Avenue. Not because I’m hurt. Because I’m a fucking idiot.

A million people are talking to me. Asking me questions. Telling me how great I am. Calling me all sorts of things I won’t repeat. They have no idea what they’re talking about.

They love me. They’re thankful for me. They think God, of all people, sent me.

But it was just John, general manager of a crappy hoagie restaurant four blocks away. Just because Billy was late. These people don’t even know Billy.

I don’t need medical attention. I don’t need attention of any kind.

“It’s standard procedure,” the EMT says, completely uninterested by all of this.

The mayor’s coming to meet me, they tell me.

Maybe the governor, too, they’re saying.

I don’t want to meet anybody, I tell them. But they think I’m being humble.

If you think this was a life-altering experience, there is no such thing.

If you think my life is going to be different after this, it’s not.

If you think I’m happy now, I’ve never been and never will be.

If you think this is the resolution, you weren’t paying attention.

If you think this is a happy ending, you don’t get it.

Sunday, September 28, 2025

The Traveler, Part II - Chapter 11: The Confluence

This is an excerpt from a time travel epic I have been working on called The Traveler. In Part I, Charlie arrives from in the year 2024 from the future, requesting the assistance of Laurel Verona to help him stop an impeding apocalypse known as The Dark Day. In Part II, Charlie and Laurel travel to Charlie's time, the year 2123, where two factions battle to repair damages made to the timeline.

In this scene, Laurel and Charlie are tasked with recovering information about the assassination of Vice President Andrew Schmitt, an event that is believed to trigger global war, leading to the end of the world.





Approaching The Confluence
June 13, 2123; 0630

Charlie and Laurel were about halfway through their trip when the latter realized that "the Confluence" was Pittsburgh, where the Allegheny and Monongahela rivers converged (a confluence) to form the Ohio. She felt silly for not having realized it sooner—but she forgave herself. She had a lot on her mind.

Charlie told Laurel the story on route: Chicago was the first American city nuked, followed quickly by San Francisco. Realizing that America's cities were under attack and NATO defenses were no match for the Russian missiles, people abandoned major cities by the millions, turning them into massive ghost towns. While world war raged on, nuclear weapons were still used; however, Pittsburgh and its surrounding areas were never attacked. The world fell apart before that ever happened, Charlie said.

Charlie’s grandfather had been alive for Vice President Schmitt’s assassination—he remembered his father being a fan of Schmitt since he was anti-war. But his death had sprung the United States into a war that would cost the entire planet. Laurel didn't really follow politics—the upcoming election would be the first she could vote in—and it seemed like it was just a choice between the better of two bad options. But what little she knew about Schmitt led her to believe that he was different. He wasn't really God damned old, so that was a plus. And, yeah, he was blatantly anti-war, which, considering the long string of wars that America had been involved in during the last seventy years, was refreshing.

But it also may have gotten him killed.

Whoa, Laurel thought. That was weird. Referring to Schmitt's assassination in the past tense, which was technically correct, because the assassination had taken place in 2024 and it was currently 2123 so it was the past...but Laurel hadn't experienced it yet, so was it really the past for her?

"Gah!" she yelled...

"What is wrong?" Charlie asked through the headset.

...out loud, apparently.

"Nothing. Just a hiccup,"

She looked to the left (port, she thinks it is called in a plane) and sees the moon setting against the blue morning sky. 

"You are quiet," Charlie said.

"Just looking at the moon. This may sound really dumb, but I guess I assumed that the moon would look different a hundred years in the future. But it doesn’t. It looks exactly the same.”

"Aldo said men landed on the moon in 1969. I did not know that."

Aldo, Laurel thought. She missed him more than she could say.

"Yup. 'One small step for a man, one giant leap for mankind.'"

"Where else did mankind go?" Charlie asked, back to his innocent, naive, I'm-from-a-dystopian-future mindset. "Other planets? The stars?"

"Uh. Well. Not exactly, no. After we went to the moon, we built the space shuttle."

"What did that do?" Charlie asked.

"Oh, you know," Laurel said. "Orbited the Earth."

"That is it?"

"That's it."

"Why did mankind not reach farther out into space? Why give up?"

"Well," Laurel started. "We didn't exactly give up, per se, you see, because we—well, yeah, maybe we gave up."

"Yes. You gave up."

"Charlie, you know I wasn't around for any of this, right? Nor was I ever in charge of the National Aeronautics and Space Agency."

"I understand. But humans landed on the moon in 1969 and in fifty years never went any farther?"

Laurel shrugged to herself. "Yeah. I guess so."

"That does not make sense. The Dakota would not just quit like that."

"Well," Laurel responded pointedly, "as your sister informed me, I'm not Dakota. And neither are people from my time, I guess."

"That is not what I mean," he responded, sounding frustrated, a mood Laurel had not yet experienced from him. "Like I said, we are all man. We are all human."

"I think you are confusing the terms 'man' and 'mankind.' Mankind is about doing what is best for everyone. Man is a selfish creature who only thinks of himself. We did have advancements in technology in my time, but they were less about humanity exploring the great unknown and more about self-indulgency. Perhaps even a bit of narcissism."

"I guess one could say the technology of the twenty-first century serves man, not mankind. Maybe it was best that—"

There Charlie stopped.

"Best that what?" Laurel asked.

"We are here," he said, pointing straight ahead. "The Confluence."

The aero-v soared over a hillside ridge populated by old, abandoned buildings. Beyond the hillside was a city, a cluster of buildings tucked in between two rivers.

"Jesus," Laurel remarked. "It looks the same, but empty. No cars on the streets, no boats on the river. Does anyone live here?"

"Not that we know of," Charlie said. "Most people today are too afraid of the city to live there."

"But the war was so long ago."

"Yes, but I suppose the fear still remains."

"Old habits die hard," Laurel said.

"Yes. That is true."

Charlie flew towards the federal building, its glass sides reflecting the dawn, its rooftop points poking the morning sky. Down in the streets between the buildings was green, not gray—grass, shrubs, even trees had sprouted up where traffic had once gridlocked the city. Many of the buildings were streaked with rust, the occasional window smashed out. But in general, the contour of the cityscape was just as it had been in 2024—the dark brown monolithic US Steel Building, the spire-topped Highmark Building, the futuristic (at the time) PNC Tower.

The aero-v switched into hover mode and descended, landing in an open area adjacent to the building that had once been called Market Square. The last time Laurel had been here was around Christmas when she and Ethan had gone ice skating. They'd had so much fun, had every intention of coming back this year. Now, for so many reasons, that would never happen. Forget about the whole apocalypse thing—her and Ethan weren’t even friends anymore.

Charlie pulled out his blaster, a dull gray weapon that looked more like a baseball bat than anything else. He held it like a gun, however, his right hand down near what would be the stock, fingers over some kind of trigger. At the other end, the weapon opened up, an obvious hole from which Laurel assumed lethal energy would be unleashed at the behest of whomever wielded this futuristic gun.

"Is that really necessary?" Laurel asked.

"The Confluence is neutral territory," Charlie explained. "But that does not mean there have not been battles here, Third-party clans may patrol the area. And the Order cannot be underestimated. Dangers are always around. Which means we must be cautious. Are you ready?"

"Yep," Laurel said. "Fifth floor, Room 5186. File cabinet marked '2024 NOV.' Everything we need we will find there."

"Sarcasm?" Charlie asked.

Laurel grunted. "We'll find out soon, won't we."

They exited the aero-v via the rear hatch, and Laurel took her first steps in Future Pittsburgh. One small step for a woman, one giant leap for womankind, she thought to herself. Market Square, like the rest of the city, was overgrown with greenery. Windowless abandoned cars with faded paint rusted away along the curbs. Old fire hydrants that had once been red or yellow had dissolved to a corroded orangish-brown. Around her were the sounds of bird calls—with closed eyes, she'd think she was in a forest.

Of course, she kinda was in a forest.

They trotted carefully to the main entrance of the federal building—locked, perhaps, but the glass had all been smashed, so they walked in with ease. If Laurel thought the idea of nature reclaiming the city streets was something, it was nothing compared to what it looked like inside the building. The entire lobby was saturated by a lush, green color. Grass covered the entire floor like a carpet, bushes and trees sprung up all over. It was funny to think that this building used to host an international Christmas tree display, and now there were actual trees growing inside. They were only in the building for about ten seconds before she saw a deer...inside the lobby! It was almost like being in one of those post-apocalyptic movies...

Of course, she kinda was in a post-apocalyptic movie.

"No elevators, I guess," Laurel said as the deer, a doe, walked slowly away, ignoring the sudden human presence.

"I would not recommend it."

"Shoe-leather express it is, then."

They took the stairs to the fifth floor where they found the office for the Pittsburgh branch of the United States Secret Service, signs still hanging in place. It had seen better days—more smashed glass made an easy entrance, mold decorated the walls like nature's graffiti, curling around dark, circular burn marks.

"What caused these?" she asked.

"Ion blaster weapons," he said, gesturing to the sidearm he carried. "Someone has been here before."

"Looking for the same thing we are?"

Charlie nodded. "Perhaps." He lifted his gun. "We should do this quickly."

"Why didn't I get a gun?" Laurel asked.

"I did not have time to train you," Charlie said.

“You assume you’d need to train me,” she said under her breath.

“What did you say?” he asked.

“Nothing,” she said. They had enough to unpack at the moment.

They moved through the office space, the floor between the desks in the bullpen completely covered with debris. She hoped that what they were looking for wasn't in this infinite pile, because it'd take them days to sort through all this—not to mention that most of it seemed water damaged.

Room 5186 was at the far end of the bullpen and still displayed the placard Section Chief Jonathan Roy on the door. Laurel felt a tingling sensation as she reached for the door and turned the handle—

Locked.

"Shit." She looked to Charlie, then to his gun. "Why don't you shoot it open?"

He raised the weapon. "Stand back." He fired, sending a blast of blue-white energy at the door knob, melting most of it, knocking the solid metal that remained to the floor.

Charlie went to push the door, but it still wouldn't budge. He pushed with his shoulder, but nothing.

"Come on," Laurel teased. "Put your back into it."

"You are welcome to try," he said, slightly out of breath.

Laurel did try—she used her shoulder, her hips, her butt. She tried kicking Section Chief Jonathan Roy's door, but it felt as though there was a literal ton of weight keeping it in place.

"It won't open," she said, more winded than Charlie was. "And according to The Seer, we need to get in this office."

"Perhaps there is another way."

They split up, investigating the small rooms around Room 5186. Laurel took the small office to the left, another room littered with documents and document folders, more needles in the exponentially growing haystack. Laurel considered that perhaps the whole world looked like this, spaces that had once been neat and orderly, that had once served a very important purpose were now left behind so that chaos and disarray could fester. A useful building that no longer had use. She now felt like she was treading on sacred grounds, disturbing the specters of those who used to run this branch of the Secret Service. Surely, anyone who worked here would be dead by now, right?

She inspected a bank of file cabinets along the left wall, but nothing with the markings they were looking for presented itself. It would not be here. Laurel wished it to be true, knew it would not. While she didn't want to agree with The Seer, somehow, someway, Laurel knew that what she was looking for was not—

Papers shuffle to her right. Laurel turns in the direction of the sound, sees a mound of cast aside documents rise up, like she was living an episode of Scooby-fucking-Doo or something.

"Charlie!" she shouts.

He's there in less than three seconds, and just as his footsteps sound behind her, the growing mound of papers breaks free in the center to reveal a...God damned possum.

No. A God damned baby possum.

"Holy fuck," Laurel gasped. "Holy fucking fuck. I thought that was a gh—"

Charlie squinted in her direction. "A what?"

"Nothing." She turned back to the possum, mostly so that Charlie wouldn't be able to see her flushed cheeks. "Hey there, little guy. Or little gal. Sorry. Didn't mean to assume your gender." She reached her hand out to the tiny gray creature, who, for the briefest of moments, looked as though he/she/they/whatever may have taken a morbid curiosity in Laurel's outstretched hand. But then, apparently thinking the better of it, the infant marsupial turned and scurried off behind a bookcase that sat against the right wall.

"Ah, no, wait! I wasn't going to hurt you!" Laurel yelled, feet pounding across the spilled documents as she rushed towards the bookcase. The space between the massive piece of oak furniture and the drywall was narrow, but wide enough to see through.

"Charlie," she said haltingly.

"Yes?"

"It's gone."

"The possum?"

"Yeah."

"Are you sure?"

"Look for yourself," she said. "There isn't a whole lot of real estate back here."

Charlie stepped over and looked for a moment or two. Suddenly, his eyes widened, as though something was formulating in his mind. He stared at the wall, like he was trying to stare through it, and then back to the small sliver of space where the possum had vanished.

"Stand aside," Charlie said, acquiring a firm grip on the two meter by two meter bookcase.

"Stand aside where?"

But Charlie was already pulling, and with a labored groan, the bookcase tipped, spilling what few books and picture frames remained. A second, maybe a second-and-a-half of silence followed before the shelf hit the floor with a calamitous crash, sending a paper shockwave scattering in every direction.

When the clamor dissipated, Charlie and Laurel turned to the now uncovered portion of wall.

"Well, how about that?" Laurel remarked.

Down against the floor where the bookcase stood just seconds ago was a one-meter hole in the wall which led right into Room 5186.

 
----

 

"Holy fucking fuck!!"

Laurel crawled through the hole in the wall, came out the other side, and leapt back upon seeing the full-bodied skeleton sitting in the chair behind the desk, bits of faded clothing still sticking to the bones. Charlie raced through and stood behind Laurel, letting out a low, mournful sound.

She carefully leaned over the body as though it might jump out at her to ask her how she was doing, and saw a handwritten note sitting at the center of the desk:

 

I have taken great lengths to ensure that I will never be found. If you are reading this, please do not tell my family what happened to me.

-Jonathan Roy

 

Laurel looked up, noting that the heavy door had been barricaded with a couch that had been attached to the walls around the door with heavy-duty bolts. Leaning up against the couch was a bookcase, three file cabinets, and a desk. Along with the couch, steel weightlifting plates had been bolted into the corners of the door. Nothing short of the United States Army could have gained access to this room.

The U.S. Army, or a gaggle of possums.

"Laurel," Charlie said quietly, and she turned in his direction to find him staring at the top of the skull. She joined him, seeing a large hole at the top of his head. On the floor to the right of the chair was a snub-nosed revolver, dull silver body with a wooden handle.

"Jesus, Charlie," she hushed. "He trapped himself in here so no one could get to him, then shot himself."

"Why?" he asked.

"Think about it. The world was falling apart. End of times. Cities nuked left and right. And as everyone was fleeing Pittsburgh, he stayed behind. Stayed behind to die."

“I still do not understand. He did this to himself?”

"Because protecting the vice president was his job," Laurel said, touching the note. "His responsibility, and he failed." She picked up the gun, held it in her hand, switched the safety on. "He stayed here, waiting for the bomb to fall. But it never did. So, he took care of it himself."

Laurel met Charlie’s gaze and knew immediately that he still did not understand. Every second of his life had been purpose-driven, every choice he made already picked for him. The notion of suicide was incomprehensible to him, like warmth in Antarctica or rain in the Atacama Desert. He turned away towards the file cabinets that were acting as a barricade to the door, and Laurel suddenly remembered that night that felt like and quite literally was a hundred years ago when Charlie had arrived in her life. How could she ever explain her presence there at the bridge if suicide was such a foreign concept to him? He was looking at self-termination firsthand and still couldn’t grasp the idea.

"Laurel," he said quietly, turning towards her.

She looked up and saw what Charlie was pointing to: a filing cabinet labeled: NOV.2024.

They pulled open the drawer and found a number of folders—thankfully, it didn't take them long to find exactly what they were looking for.

"Active investigations," Laurel read. "I think this is it." She pulled open a file and read:

 

United States Secret Service - THREAT REPORT

 

Report Type:            ASSASSINATION

Target:                 VP ANDREW SCHMITT “TRUMPET”

Details:                VP WILL BE ASSASSINATED BY A                                 JAYWOOD 6100 AT FLATROCK HIGH SCHOOL
                        ON 11/1/2024 AT 4:37 P.M.
                        ASSASSINS ARE THREE WHITE                                     MALES APPROX. 40-60 YEARS OF AGE.

Reporting Agent:        N. JOURDAIN 10/28/2024

Investigating Agent:    N. JOURDAIN 10/28/2024

 

"What is a Jaywood 6100?" Charlie asked.

"Not sure. Maybe a rifle? I know a little about guns—" She directed some side eye in his direction— "but I've never heard of this."

He looked around. "How can we find out? Hey Siri, what is a Jaywood 6100?"

Laurel's eyes widened. "Charlie! Another joke!?"

He smirked bashfully. "Not the right time, I know—"

"No, this is actually the perfect time for a joke. Jokes help relieve stress and anxiety—Hey! Here's an idea—let's see if we can find this N. Jourdain's desk. If he was investigating this threat, he might have the info out and handy."

"That means we have to go back out into that mess," Charlie said disdainfully.

"Yup. Sooner we get started, sooner we get done."

They crawled back through the hole in the wall and went back out into the main bullpen. Laurel immediately understood Charlie's anxiety—it would take them a very, very long time to find anything of any use here. Still, they had to try.

And they did—one desk at a time, searching for any indication that the materials in the general vicinity belonged to an N. Jourdain. The deck had been heavily stacked against them, and then thrown on the floor. It was hard to believe they were going to get their information here.

Laurel approached her sixth, maybe seventh desk, and became overwhelmed by the morose feeling that at one time—in her time—this had been someone's space, someone's work area, where they had dedicated a large portion of their life to perform a very important job. A place of intense purpose that no longer had purpose. A useful desk that no longer had use. Was the ghost of the person who worked here watching her right now, waiting for Laurel to unearth something that was important? She saw the top edge of a picture frame laying facedown on the desk. When she picked it up to set it right-side up, she got a sudden jolt of adrenaline when she realized who this desk belonged to.

"Charlie!" she shouted, bringing him over within seconds. "Look."

In the picture were two people. One was an older man, white skin and white hair—tall, in shape, wearing a light-colored suit, his left arm wrapped around a young woman with light brown skin and long dark hair, dressed in a white graduation cap and gown. This young woman, Laurel knew, was the same agent who had been following her back in 2024.

"That's her, Charlie," she said, her voice growing in volume from the excitement. "From the stadium, from my house." She rifled through the mass of papers until she found the nameplate, buried under a stack of manila folders. "Shit. There I am, assuming genders again. N. Jourdain. Natalie Jourdain. This is here. It's gotta be here. It's gotta be here, Charlie."

They tore through all of the papers and files and books around Jourdain's desk. It only took a minute before Charlie held up a thick stack of papers—jaywood 6100 operational manual typed in big bold letters on the front.

"Eureka!" Laurel snatched the manual from Charlie's hands with glee. "Jaywood 6100 high- powered remote-controlled long-range rifle."

"Remote-controlled?" Charlie repeated.

"Technology that benefits man, but not mankind, right?"

"Yes," Charlie looked through the windows to the rising sun. "It is getting late. We have what we need. We should go."

They descended down the staircase much faster than they had come up—partly from the aid of gravity, but partly from the excitement that they had succeeded, found what they were looking for, and were now properly prepared to go back and save Schmitt's life, ending The Dark Day.

When they reached the lobby, that excitement vanished—Laurel spotted a huge man and a tiny woman standing out in the square between them and Charlie's plane.

"Charlie," she said quietly.

"I will handle this," he said ominously. "Stay behind me."

They trotted carefully back into Market Square. The woman was short in stature but stood tall, a cruel expression on her bony face. The man was a giant, like a bodybuilder from her time, his black uniform straining from the muscular mass underneath.

"Charlemagne!" the woman yelled in a thin, cutting voice. "You have grown since I saw you last." Her eyes shifted to Laurel. "There is no reason to be afraid, Laurel Verona. I have been looking forward to meeting you. I am the Commodore, leader of the Order of Eras, and this is my military commander, General Prowse."

"Sup?" Laurel grunted, lifting her chin in casual greeting.

"The Confluence is neutral territory!" Charlie shouted across the distance between them. "And we have no quarrel with you. Let us by."

"Charlemagne," she said, a note of chastisement in her tone. "How wrong of you to make assumptions. I mean you no harm. I only mean to recover whatever it was you found on the fifth floor."

Laurel's blood turned to ice. How did she know where they were?

"We found nothing," Charlie said. "Your own people must have whatever you are looking for. Perhaps they are hiding it from you."

"Now, now, Charlemagne. Dishonesty is beneath you. We know that you went back to 2024. We know you failed. We know where your secret time machine is—close by to where you shot down one of our aero-v's, no? We know The Seer sent you here. We know everything, Charlemagne. Give General Prowse what you found and I promise no harm will come to you."

Charlie made a subtle move for his sidearm. "Take another step, Prowse, and I will reduce you to sub-particle matter."

Prowse reached for his own blaster. "You sure about that, boy?" His face twisted into a condescending sneer. "Are you willing to bet your life that your shot is truer than mine?"

"Stop this, Commodore!" Charlie shouted, relenting some. "Let us pass. This is neut—"

"This is far more important than the neutrality of these grounds," the Commodore interrupted. "This is about the redemption of humanity. And it cannot be left in the hands of simple thinkers like you and your father."

"Humanity must be set free, Commodore," Charlie argued. "Your intention is to enslave mankind."

"Look around, you fool!" she bellowed, her voice broadening, finding new overtones. "You think like a child. This is what happens when you let the commoners run things. We will put back the order, we will set things right. Give me the artifacts and let me do what the Arthurian dynasty does not have the strength to do."

Charlie shook his head. "Never. You will have to kill me."

The Commodore smiled, an unnatural look that unnerved Laurel. "We do not need you, Charlemagne. We only need—" She gestured to Laurel— "the anomaly."

Quick as a lightning strike, Charlie withdrew his blaster from his holster—but somehow, Prowse was still faster. A burst of blue-white ionized energy fired from his sidearm and hit Charlie square in the chest, knocking him back into Laurel who was barely able to keep him up right.

A flash. Laurel is in the same time and place, but not quite. Charlie lays on the ground, a bloody gaping wound where his chest used to be, singed rib bones protrude from the mess of torn skin and muscle. He is dead—his heart, gone; most of his lungs, gone; and Laurel looks up to see General Prowse approaching her, blaster raised.

"That was your warning, Charlemagne!" Prowse shouts, and Laurel is back in the present—her present—and Charlie is standing tall, facing this Ahnold-wannabe down. "Do not fool yourself into thinking I cannot hit the same target twice."

Laurel knows his armor is damaged, knows what will happen next. She opens her mouth to say something, but Charlie is already reaching for his blaster.

Prowse fires.

In an act of desperate futility, Laurel reaches her hand out, like a mom on a sidewalk watching a speeding bus racing out of control towards her baby, like maybe Laurel can stop the blast of energy from reaching Charlie.

Turns out, she's not totally wrong.

That same blast, the one that seemed to have reached Charlie in an instant before, now moves noticeably slower as it travels from Prowse's gun to Charlie's body. Everything seems to be progressing in slow motion around her, the sounds of the birds taking on a lower pitch, sparks falling from Prowse's gun as though affected by a moon-like gravity, not that of Earth. The Commodore is currently halfway through a blink, making her look super derpy and awkward. Laurel laughed, but stopped when she realized that even though things had significantly slowed down, time was still moving forward, and that deadly burst of energy was halfway to its destination—Charlie.

Somehow, she was being afforded this unusual opportunity to do something about the situation, so she stopped thinking and started acting. With the bolt a meter out, she pointed her toes to the right and rolled on the balls of her feet. Leaping forward, she caught the ion bolt with the armor over her left hip. Rolling, she flipped upside down, and just before she handed, Laurel withdrew the revolver from the holster attached to her rear armor.

Her head hit the ground first—despite the helmet that Charlie had made her wear to protect her from, whatever, she saw stars as she continued her roll, and her surroundings resumed their normal speed. Pushing through the pain, the disorientation, she sat up on her left knee and lifted the pistol into firing position, steadied her hold with her left hand, and disengaged the safety.

Laurel aimed like Aldo had taught her. Squeezed a shot off.

Contained the recoil. Re-aimed. Fired again.

Laurel was certainly no expert, but based on what Charlie had told her, she assumed the armor was only good at repelling energy-based weapons, and she was correct. The first shot hit Prowse in the abdomen, possibly taking out his left kidney. The second hit the Commodore in the thigh—not what Laurel was aiming for, but at her range and her novice expert level, she'd have to be happy with it—both of her targets were on the ground, crumpled in pain.

"Come on!" Charlie yelled, grabbing her by the arm and pulling her along to the plane, past the incapacitated Commodore and Prowse. They scrambled aboard and were airborne within thirty seconds. Laurel was sucked back against her seat as Charlie pulled some G's thrusting forward—south, back into Dakota territory.

"How—" Charlie started, shook his head to himself, then tried again: "How did you do that?"

"Charlie," she gasped, still trying to catch her breath. "I have no idea."


If You Think This Is A Happy Ending

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